Recently we caught up with the guys over at HARD ENDS about their independent UK manufacturing setup which led us to reach out to some more like minded individuals. Roscoe Siebers is a name you might know, but there’s a good chance you would have seen some of his work at the local park at some point. We caught up with Roscoe to learn about WLDLFE, the UK based frame company…
RIDE: For anyone who might not know already, how would you describe what WLDLFE is all about?
Roscoe: WLDLFE is a true custom/ bespoke hand crafted BMX frame brand that specialises in custom built Titanium frames, forks and bars based near Hastings in East Sussex ,UK . All WLDLFE frames are carefully fabricated in house by myself ( Roscoe Siebers) to ensure top quality and precision is achieved, building bikes is what I’m passionate about and WLDLFE is a product of that love for fabrication and BMX .
R: WLDLFE has a pretty distinct identity, where did the idea for WLDLFE originally come from? Was it always meant to become a frame brand? Was this all natural or did it take a while to figure out what you wanted it to be?
RS: WLDLFE was always going to be a Cromoly BMX frame brand but due to a sequence of perfectly timed moves ended up specialising in titanium Frames. From the day I saw my first well made BMX frame my mind was set to do that. But in the beginning I had a lot to learn and figure out, I’m originally from Port Elizabeth in South Africa and there was not much info on frame building or TIG welding then or people to learn from, it was not until I moved to the UK in 2015 when the doors started opening. The name WLDLFE comes from the wild care free lives we lived as BMXers in the mid 2000’s, as well as my roots of growing up in Africa can be a pretty wild place.
R: You’ve made a fair few frames now, any people the readers might know?
RS: Yea I’ve had the honour of building frames for Greg Illingworth , up and comers like Oliver Baker ( who is on flow with WLDLFE) and Harley Becket ( Rockstar Harley) aswell as some of the talented girls out there like Kitty Joseph and Holly Pipe and the flatlander Matti Hemmings . These are only a few of the many amazing riders I’ve had the pleasure of working with.
R: What made you want to start making frames specifically? That’s definitely jumping in at the deep end compared to starting with smaller parts.
RS: Frames where always the plan , I’m just fascinated by the entire process of building frames, from fabricating, welding and building the tooling all of it is pretty exciting to me. Seeing what S&M where doing in the states made me think it’s possible to do something similar here. Some of my biggest influences to me have been Deathpack BMX ( Mike Hill) and Ted James, both really good committed frame builders in the UK all with distinct styles. Finding my own style was another big motivator to build the best frames I can. As for parts I am planning on releasing a few parts in the future, so keep an eye out for that.
R: Before the first frame was finished, how many different ideas, geometries, or designs got scrapped along the way? How did it feel when you had the first one completed?
RS: Too many, I had to first learn how the material behaves and how to get the welding right, I was pretty strict on myself to learn as much about TIG welding as possible so that I could weld like the pros. I spent about 10 years perfecting those skills before I even attempted my first frame. Worked in many steel work industries with that goal in mind always, took opportunities where I could to get closer to world of frame building. But once I built my first custom frame it was the most amazing feeling , it really felt like I had accomplished something. I had gotten the geometry spot on for that frame and it rode great. I still have that frame as a reminder of all the effort it took.
R: Can you tell us a bit about your riding background and how you first got into BMX?
RS: Growing up in South Africa in my hometown of P.E we didn’t have many place to ride ready built so we got heavily into building trails and our own ramps as well as a lot of street riding, only park we had was massive 80s style 10 foot deep bowl where we spent a lot of time riding with an amazing crew of friends like Stuart Laing, Rudi Erasmus, Justin Enslin, James Plumridge, Matt McLeod ,Matt and Vinnie Silo , David Rigby and Ross Brown just to name a few. From there we became a big part of the up and coming scene ( golden age) of BMX in SA, riding demos, comps all over the country meeting other riders from all walks of life. Became like a big family. It was only once the Terrible One team came on tour to SA and the film maker Fraser Byrne came over to document some of the riding scenes that opened the world to us. SA produced so many great riders in that time and I’m stoked to have been a part of it, later I went on to ride the masters in Cologne Germany ,by this time I was riding for Mongoose and Vonzipper( GSM) wher I got to meet so many of my idols . But that’s a whole other story. Street and dirt jumping eventually became a big part of my identity. Wild times
R: What kind of riding influenced the way you wanted the WLDLFE frame to feel?
RS: To me all styles of riding have influenced my frames, park, street, dirt, flat land, race. They all have unique characteristics to add to my frame building styles, when designing a frame I like to take advantage of that. But I would say the biggest influence has been park/ trail frame geometry. I’ve always liked the stance and feel of an all rounder. The way a bike looks is just as important to me as how it rides.
R: Were there certain frames or riders growing up that shaped what you wanted out of your own setup?
RS: There were so many frames along the way that influenced and still influences me to this day, I’m constantly evolving and trying new techniques as I learn. But I would say FBM and S&M were always the biggest. As for riders , hands down Ruben Alcantara , Joe Rich , Taj Mahelich and Mike Aitken where my inspiration for style and what bikes should be like if that makes sense. I wanted something that rode well and looked sick at the same time. Sometimes that’s harder to achieve than it sounds. I’m constantly building myself new frames and tweaking them think I’m on my 4th or 5th frame now since I started making them.
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