Camera quality has never been higher and prices have never lower, so why do you still use the old TRV and Super 8?
“It’s a question I asked myself a lot in the last 3 years! Honestly, I love the versatility and stability of the 3 chip and super 8 cameras. DSLRs are grand, but I can’t afford a HD video camera at the minute. Panning, zooming and general ease of handling should not be a luxury! I grew up watching and loving videos shot on the 3 chip medium, so it’s kind of how I prefer to see things anyway.
“I grew up watching and loving videos shot on the 3 chip medium, so it’s kind of how I prefer to see things anyway.”
With that said, I do like HD videos and don’t quite get into the whole SD vs HD thing. When either are done right, they look great. You could hardly tell me the likes of Peter Adam, Rich Forne etc are doing things the wrong way.”
Super 8 seems like a right ball ache. Take us through the process of filming Super 8?
“It has its ups and downs…
Firstly, it’s expensive. It was kind of nerve wracking shooting with it, as well as exciting. I wasn’t sure how it would turn out and if it was going to be worth the gamble. 3 and a half minutes worked out at about 60 euro over all. Nice.
Secondly, it’s essentially blind. I was’t sure if anything worked until the film was developed. You have to have a certain amount of faith in your camerawork, but it was like learning to shoot photos on film again, I had to take time to make sure it was exposed etc. Developing was difficult too as I had to bring it to London to get it done as the super 8 trade in Ireland has dried up. Thankfully, it worked out.
Finally, the projection and “digital transfer” was fun too. I had to ghetto rig a screen and record the projection after focusing the projector and making sure the camera recording it was at the right levels! Also, the projector I got on loan took some getting used to. I lost a few feet of film to the jaws of it, but after 3 attempts, I got it sorted. Then, colour correction and editing took over in order to get it to look decent.
Peter Adam told me I should have shot hd and used filters and plugins… haha. He might be right, but the learning process was enjoyable and had I not followed through on it, the video would have looked grand, but it wouldn’t have been the video I wanted to make.”
So what is your all time favourite film, skate, BMX or otherwise, and why?
“Skate film, either ‘Strongest of the Strange’ by Pontus Alv, because it’s just amazing to look at. Or, Sidewalk ‘In Progress’ because it’s a UK and Ireland centric video, so the spots are familiar, I dig the soundtrack and it’s generally a good watch.
“Voices and Tomorrow We Work really made me want to make videos. I could watch them over and over.”
BMX… It’s a forgone conclusion and the lads rib me about it a lot, but ‘Voices’ and ‘Tomorrow We Work’ really made me want to make videos. I could watch them over and over.
Aside from that… I’m really into the likes of the Strangeways series, Super Monaco, Grey Haven, Savour and so on. Peter Adam’s stuff isn’t too shabby either. I guess I like the slightly rougher spots and familiarity of UK and Irish videos. Also, less is often more and the current mile an hour, grind-combo-boner that a lot of riders seem to have sprung is lost on me.
General movies? I don’t really watch many these days. I like Wes Anderson’s stuff. Nice soundtracks and they good to look at.”
Tell us a joke…
” “I’ll be on time.” – Ryan Aylward.”
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